Nations & States
The Male Revolt of Bahia
Enslaved African Muslims rise in Brazil, 1835 CE
1250 AH / 1835 CE
Educational historical reconstructionWhere
Salvador, in Bahia, on the coast of Brazil
-12.9714, -38.5014 · View on OpenStreetMap
Background
Among the millions of Africans carried into slavery in Brazil, the largest destination of the entire Atlantic slave trade, were many Muslims, for the trade drew heavily on the Islamised peoples of West Africa, the Yoruba (called Nago in Brazil), the Hausa and others, among whom were men of learning literate in Arabic. In the city of Salvador, the capital of Bahia, these enslaved and freed African Muslims, known by the Yoruba word Male, formed a community that kept its faith in secret under slavery: they prayed, kept the fast, wore amulets inscribed with verses of the Qur'an, and held clandestine classes in which teachers taught the faith and the reading and writing of Arabic. In January 1835 this community planned and launched a revolt against their enslavers and against the slave society of Bahia, an uprising organised in part by Muslim teachers and timed, by many accounts, to the end of Ramadan, with the rebels going out in the white caps and gowns of their faith. It was the largest urban slave revolt in the history of Brazil, and it sent a wave of fear through the slaveholding society of the Americas. But the rising was betrayed and was crushed within a single night and morning of fierce fighting, with many of the rebels killed; and the reprisals that followed were savage, the survivors executed, flogged, imprisoned, or deported back across the ocean to Africa, and the practice of Islam and the possession of Arabic writings made the object of a fearful repression. The Male revolt is remembered as a striking and tragic witness to the faith, the learning and the unbroken courage that enslaved African Muslims carried with them into the heart of the New World, and to their refusal to submit. This scene depicts the silent aftermath of the revolt in the streets of Salvador; in keeping with the project's ethics any figure is anonymous and at a distance, and the violence is not depicted.
What you see
A steep colonial city of churches, tiled roofs and pastel houses climbs above a great tropical bay; the streets, in the aftermath, lie empty and silent, the scene of something terrible just passed.
Left in the empty street are the tokens of the risen: a white knitted cap and gown of the kind the rebels wore, a worn sandal, and a small folded paper packet, an amulet, covered in lines of Arabic writing, prayers and verses of the Qur'an worn for protection.
This is the aftermath of the Male revolt of 1835 in the city of Salvador, the largest urban uprising of enslaved people in the history of Brazil, planned and led by enslaved and freed African Muslims, the people the Yoruba called the Male, the Muslims.
These were Africans, many of them Yoruba and Hausa, carried into slavery in the Americas, who had kept their faith and even their Arabic learning under bondage; their teachers held secret classes, and they rose, by some accounts at the end of Ramadan, against their enslavers.
The rising was crushed within hours with great bloodshed, and the survivors were killed, flogged, imprisoned or deported back across the ocean to Africa; yet it shook the slave society of Brazil and is remembered as a witness to the faith and the courage of the enslaved.
The Male revolt of 1835 is historically documented. The scene depicts the aftermath in the city; no individual is shown by likeness, and the violence is not depicted.
Further reading & cross-references
Scholarship on the Male revolt of 1835 (e.g. the work of Joao Jose Reis): The principal modern study. Used for the revolt, its Muslim organisation, the rebels and the repression. Confidence high.
Records of the trials and the confiscated Arabic writings of the rebels: Used for the Islamic faith and Arabic literacy of the rebels and the amulets and documents. Confidence high.
Histories of African Muslims in the Atlantic slave trade and in Brazil: Used for the Islamised West African peoples enslaved in Brazil and their religious life. Confidence high.
Colonial Salvador / Bahia (material/geographic context): The hillside city, the bay and the colonial streets constrain the depiction.
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