Golden Horde
Ibn Battuta in Constantinople
A Muslim traveller in the Christian capital, c. 1332 CE
733 AH / c. 1332 CE
Educational historical reconstructionWhere
Constantinople (al-Qustantiniyya), on the Bosphorus
41.0086, 28.9802 · View on OpenStreetMap
Background
Among the most remarkable episodes of the travels of the Moroccan wayfarer Ibn Battuta, who in the course of his life journeyed across nearly the whole of the known world, was his visit, about the year 1332, to Constantinople, the ancient and still mighty capital of the Christian Byzantine empire of the Greeks. He came there, by his account, in the entourage of a Byzantine princess, a daughter of the emperor who had been married to Uzbeg, the Muslim khan of the Golden Horde, and who was now travelling home to visit her father; Ibn Battuta accompanied her cavalcade from the steppe to the imperial city. He has left a vivid description of Constantinople as seen through Muslim eyes: the vast city of churches and monasteries within its great walls, ringing with bells, the multitude of monks and priests, the markets and the people, and the colossal domed church, the greatest in Christendom, which he was shown but would not enter, since entry required an act of reverence he could not as a Muslim perform. He was received with honour at the imperial palace and, he says, questioned kindly by the old emperor, who had himself visited or revered the holy places, about Jerusalem and its sanctuaries. His account is a precious record of a meeting of two civilisations, a learned Muslim traveller from the far western edge of Islam observing with curiosity and a measure of respect the great rival capital of Christendom. (Some details of Ibn Battuta's Constantinople narrative are debated by scholars, but it remains one of the famous cross-cultural encounters of the age.) This scene depicts Constantinople at the time of his visit. In keeping with the project's ethics any figure is anonymous and at a distance, and the church interiors are not depicted.
What you see
A vast and ancient Christian city of domes, towers and ringing church-bells stands on a great strait between two continents, ringed by enormous land-walls and crowded with churches and monasteries; the imperial capital of the Greeks.
Over the city rises a colossal domed church, the greatest in the Christian world, its huge dome seeming to float above the rooftops; the traveller is shown it from without but will not enter, for entry was on terms he would not accept.
This is Constantinople seen through Muslim eyes, the Christian imperial city that the traveller Ibn Battuta visited about 1332, having come in the train of a princess of the emperor's house who was returning from the court of the Muslim khan of the Golden Horde.
The traveller is received with honour at the imperial palace and questioned with curiosity about Jerusalem and the holy places; monks and priests in great numbers fill the city, and he observes its churches, its markets and its people with the eye of a stranger from the lands of Islam.
It is a meeting of two worlds: a Muslim wayfarer from the far Maghrib, who has travelled half the earth, walking the streets of the great rival capital of Christendom, recording what he sees for the readers of his distant homeland.
Ibn Battuta's account of Constantinople is a famous Muslim description of the Byzantine capital. The scene depicts the city; no individual is shown by likeness, and the church interiors are not depicted.
Further reading & cross-references
Ibn Battuta, Rihla (the Travels, 14th c.), the account of Constantinople: The primary source. Used for the visit, the city, the great church and the reception by the emperor. Confidence medium (some details are debated).
Histories of late Byzantine Constantinople (cross-reference): Used for the Christian imperial city, its churches and walls and the emperor Andronikos III. Cross-reference. Confidence high.
Histories of the Golden Horde and its links with Byzantium: Used for the marriage of the Byzantine princess to Uzbeg Khan and the diplomatic context. Confidence high.
Medieval Constantinople and Hagia Sophia (material/geographic context): The city on the Bosphorus, its land-walls and the great domed church constrain the depiction; interiors are avoided.
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