Umayyad
The Desert Palace of Khirbat al-Mafjar
An Umayyad pleasure-palace by the Jordan, c. 743 CE
c. 125 AH / 743 CE
Educational historical reconstructionWhere
Khirbat al-Mafjar, near Jericho, in the Jordan valley
31.8736, 35.4633 · View on OpenStreetMap
Background
Khirbat al-Mafjar is one of the most splendid of the so-called desert palaces, the country estates and pleasure-retreats that the caliphs and princes of the Umayyad dynasty built across the steppes and valleys of greater Syria in the late seventh and early eighth centuries. It lies in the warm, sunken valley of the Jordan near the ancient town of Jericho, the lowest land on the face of the earth, and is usually attributed to the period of the caliph al-Walid II (rahimahu Allah), about the 740s, though it may never have been quite finished before it was wrecked by the great earthquake of 749. The complex included a palace, a mosque, an ornamental fountain and, above all, a great bath-hall, and it was decorated with an opulence that makes it one of the chief monuments of early Islamic art: its floors are paved with brilliant figured mosaics, among them the celebrated panel of a great fruiting tree beneath which a lion leaps upon grazing gazelles; its walls and arches were adorned with carved and painted stucco, including figures of men and beasts in the manner the Umayyad court had taken over from the older art of the region; and one of its halls held a magnificent carved stone rosette, a great star-shaped window of stone tracery that is among the masterpieces of Umayyad ornament. The palace is a vivid witness to the wealth, the worldly splendour and the cosmopolitan artistic tastes of the Umayyad elite at the height of the first Muslim empire, an art that freely absorbed the late-antique heritage of Syria. This scene depicts Khirbat al-Mafjar and its decoration. In keeping with the project's ethics any figure is anonymous and at a distance, and the historic ornament is shown as the archaeological record, not as a devotional image.
What you see
A luxurious palace complex of stone and stucco lies in a warm river-valley below dry hills, with a palace, a mosque, a fountain and a great bath-hall, richly decorated, the country retreat of a wealthy and pleasure-loving court.
The floors are paved with brilliant mosaics, among them a famous panel of a great leafy tree beneath which a lion springs upon gazelles; the walls and arches carry carved stucco and a magnificent carved stone rosette, a star-shaped window of stone tracery.
This is Khirbat al-Mafjar, one of the desert palaces of the Umayyad caliphs, built in the eighth century in the valley near Jericho as a retreat of the court of the early Muslim empire, and famed for the richness of its art.
The great bath-hall, its floor a carpet of mosaic and its walls once set with stucco figures, was a hall of luxury and reception; the whole palace shows the wealth, the worldly splendour and the artistic borrowings of the Umayyad elite.
The palace stands in the warm sunken valley of the Jordan, the lowest land on earth, near an ancient town, in the heart of the Umayyad lands of greater Syria.
Khirbat al-Mafjar is an extant archaeological site, damaged by an early earthquake. The scene depicts the palace and its art; no human or animal figure of the mosaics is shown in a way that personifies a living being beyond the historic ornament.
Further reading & cross-references
Khirbat al-Mafjar (extant archaeological site and its mosaics and stucco): The primary site. Used for the palace, the bath-hall, the mosaics and the carved rosette. Confidence high.
Studies of the Umayyad desert palaces and early Islamic art: Used for the attribution, the dating, the decoration and the place of the palace in Umayyad art. Confidence high.
Accounts of the Umayyad court and the earthquake of 749: Used for the historical context and the wrecking of the palace. Confidence medium-high.
The Jordan valley near Jericho (geographic context): The sunken warm valley and the setting constrain the depiction.
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