Mughal

The Taj Mahal under Construction

Shah Jahan's tomb for Mumtaz Mahal rising at Agra, 1632-1653

1041-1063 AH / 1632-1653 CE

Imagined 360° reconstruction of The Taj Mahal under ConstructionEducational historical reconstruction

Where

Taj Mahal, on the Yamuna at Agra

27.1751, 78.0421 · View on OpenStreetMap

Background

The Taj Mahal was raised at Agra on the bank of the Yamuna between about 1632 and 1653 (1041-1063 AH) as the mausoleum of Arjumand Banu Begum, known as Mumtaz Mahal (rahimaha Allah), the wife of the Mughal emperor Shah Jahan (rahimahu Allah), who had died in 1631. The main marble mausoleum was largely complete within some six years, and the wider complex of garden, gateway, mosque and flanking building was finished over the following years. The tomb is built of white marble brought from Makrana in Rajasthan and inlaid with semiprecious stones, carnelian, lapis lazuli, jasper and others, in floral patterns, the technique known as parchin kari or pietra dura, and it carries bands of Qur'anic calligraphy in inlaid black marble executed by the calligrapher Amanat Khan, including passages such as Surah Ya Sin set around the portals. The building tradition names Ustad Ahmad Lahori as the chief architect. It is composed as a single perfectly symmetrical ensemble: the domed tomb on a high plinth with four canted minarets, set not in the centre but at the head of a four-part paradise garden, the charbagh, with a long reflecting pool, and balanced by a red sandstone mosque and an identical mirror building, the jawab, on either side, with a great red sandstone gateway. The whole expresses the idea of the garden of paradise as the setting for the blessed dead. Shah Jahan was later deposed by his son Aurangzeb in 1658 and held in the fort at Agra within sight of the tomb until his death, when he was buried beside Mumtaz Mahal in the marble chamber. This scene shows the monument during its long building campaign, the marble dome and minarets still under scaffolding and the inlay and garden taking shape.

What you see

A great white building rises on the bank of a wide, slow river crossing a level plain, set within a vast walled formal garden. This is a riverfront tomb-garden in the north Indian plain, not a hill shrine or a desert site.

The mausoleum is sheathed entirely in white marble, with a tall bulbous onion dome on a high drum and a slender finial, and four free-standing minarets rise at the corners of the raised marble plinth, set slightly splayed outward.

Timber scaffolding and long brick ramps wrap the dome and the minarets, with pulleys, lifting frames and stone yards around the base. The marble shell is plainly still being built, not finished.

Craftsmen are setting tiny pieces of carnelian, lapis and jasper into the marble in floral sprays, and bands of black marble calligraphy are being inlaid around the portals. This is the fine stone-inlay technique of parchin kari, pietra dura, the hallmark of the building.

The tomb stands at the head of a four-part garden divided by raised walkways and water channels, with a long central reflecting pool on the axis. This is the Persian paradise-garden plan, the charbagh, laid out as a setting for the tomb.

Flanking the marble tomb stand two matching red sandstone buildings, a mosque on one side and an identical mirror building for symmetry on the other, and a monumental red sandstone gateway closes the garden. The contrast of red sandstone and white marble is deliberate.

Further reading & cross-references

Abd al-Hamid Lahori, Padshahnama (mid-17th c.): The official chronicle of Shah Jahan's reign. The primary court record of the death of Mumtaz Mahal, the founding of the tomb, and its building. Confidence high for the events, with the caution of a court source.

Inayat Khan, Shah Jahan Nama (mid-17th c.): A condensed contemporary court history; cross-check on the chronology of the construction and the costs.

Calligraphic inscriptions of the Taj Mahal (extant, signed by Amanat Khan): The inlaid Qur'anic inscriptions, several signed and dated by the calligrapher, fix the programme of texts and help date the phases of completion. Material and documentary anchor.

Ebba Koch, The Complete Taj Mahal and the Riverfront Gardens of Agra (Thames & Hudson, 2006): The definitive modern architectural study, based on survey and the Mughal sources. Used for the construction sequence, the garden plan, the materials and the symmetry of the complex.

W.E. Begley and Z.A. Desai, Taj Mahal: The Illumined Tomb (1989): Collection and translation of the Mughal documentary sources and inscriptions; used for the funerary and paradise-garden meaning and the dating.

Standing fabric of the Taj Mahal (extant, UNESCO World Heritage): The surviving complex constrains the reconstruction: white Makrana marble, the canted minarets, the charbagh, the red sandstone mosque and jawab and gateway. Reviewers should keep the scaffolded, mid-construction state and avoid the modern finished tourist view.

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